Ernest Hemingway wrote a great many letters in his
lifetime. They were usually very
informal, often full of strong enthusiasms, coarse language, and unbridled emotion. They were not written as works of literature,
or anything close to that. They were
spontaneous and of the moment. They
reveal a great deal about the man, less about the writer.
Hemingway’s letters are scattered all over the world, some
in libraries and some in private hands. After
Hemingway’s death, Carlos Baker sifted through what was then available to him
and in 1969 published a collection of letters he thought were the best. But they
were just a small fraction of the entire corpus. Now, a group of scholars is in the process of
publishing a multi-volume collection of every known Hemingway letter in
existence, fulsomely annotated and carefully documented – The Letters of Ernest Hemingway.
The first volume was published in 2011 and three volumes of an
anticipated twelve have been published so far, in beautifully-bound editions by
Cambridge University Press. The letters
are being published in chronological order, and the editors supplement them with
copious introductions, notes, chronologies, glossaries, maps, and indexes.
Bruce Bawer reviewed (link) the first three volumes in the
February, 2016, issue of The New
Criterion, a terrific journal of criticism and commentary to which I
subscribe. He is not very enamored with the
letters he has read thus far. Bawer finds
them for the most part uninteresting, often casually written, and not indicative
of the great writer’s literary talent. Bawer sees in the letters a
very human, flawed man – he sees the man
behind the curtain and doesn’t like what he finds.
Having now read many Hemingway biographies, most of the
letters in the Baker collection, and all the letters in the first two volumes
in this new collection, my view is different from Bawer’s. Although Bawer’s points are well taken, and
valid to a point, I find Hemingway the man fascinating, and his letters flesh
out that man more than any other source.
In his letters we see how Hemingway approached his life and
his writing. He may have been
economical with words in his serious writing, but he was garrulous in his
letters. We see how his relationships
with family and friends (such as F. Scott Fitzgerald and Archibald MacLeish) grew,
blossomed, and deteriorated. We see his need to be surrounded by friends,
with himself as the center of attention, in his frequent urgings to friends to
come and stay with him to fish and hunt and travel. The letters are often emotional, frequently
gossipy, and occasionally petty. There’s
bluster, and passion, and anger. He was
very numeric – we see a man continually aware of his finances and his
productivity (page counts of works in progress are frequently conveyed to
friends and editors), a man who kept detailed logs of fish caught and animals
shot, of miles driven and expenses incurred.
He could be very kind and considerate, or a total jerk, and he was definitely
not a family man, mostly neglecting his three sons, four wives, and others in
his orbit. We see a man whose friends
and family and women are cast off one-by-one along the way, and wonder why. Hemingway was funny and inquisitive, and very
competitive, always exploring, thinking, pushing limits. He was a man full of vim and enthusiasm, who could
not stay in one place (or with the same people) for very long.
The plan for the series is to publish only letters from
Hemingway himself, and not those of his correspondents, providing explanatory
notes to help with context. About 85% of
the letters have never been published before, and a great deal of effort seems
to have gone into tracking them down all over the world. At the time of the first volume, letters had
been collected from almost 250 sources, not only libraries and similar
institutions but from over 175 dealers, private collectors, and individual
Hemingway correspondents. Hemingway
himself had saved some material – early drafts and some copies, whole or in
part. He seems never to have
thrown out even a scrap of paper with writing on it, perhaps learning the value of saving
material from his mother, who meticulously kept detailed scrapbooks on each of
her children, filling six large volumes on her son Earnest’s activities through
his involvement in the First World War.
Hemingway, by the way, saved a great many lists, from shopping items to
camping trip needs, and, like his father, organized himself through them.
Hemingway’s letters in a very real sense constitute his autobiography, however unintended. He took life his way with passion and vigor, and though the picture is not always pretty, there’s much to be taken away in his letters by those of us more inclined to quiet reading and quiet times.
Hemingway’s letters in a very real sense constitute his autobiography, however unintended. He took life his way with passion and vigor, and though the picture is not always pretty, there’s much to be taken away in his letters by those of us more inclined to quiet reading and quiet times.
R Balsamo
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