John Ford |
Ford was a prolific director, even by the higher-output
standards of his time, and he had astonishing breadth in subject matter. He won four Academy Awards for Best Director,
more than anyone else. But although those
four films were all non-westerns, Ford is best known today for his magnificent
Westerns.
Harry Carey Sr, Ward Bond, Victor McLaglen, Henry Fonda (in
his early days), and especially John Wayne, whom Ford made a star in his 1939
film Stagecoach, are just some of the
actors particularly associated with Ford.
In fact, he cast in supporting roles a large group of regulars that
became known as the Ford Stock Company.
Ford was admired for his genius, both in narrative and in technique. But he was a gruff, often-unpleasant man, and at times mean and vindictive – especially when drunk. Given his personality, Ford had a poor and unsatisfying family life, but in his films he seems almost obsessed with the rituals of community and domestic life. Many of his best films center on family – some of his earlier ones, like Grapes of Wrath and How Green Was My Valley, can seem overly-sentimental and mannered today, but some that came later are personal favorites – The Quiet Man and Donovan’s Reef. Other non-Westerns that I particularly enjoy include What Price Glory, The Horse Soldiers, Drums Along the Mohawk, and The Last Hurrah.
Ford's Westerns stand out, many of them filmed in Monument
Valley (which he put on the map). Stagecoach, She Wore a Yellow Ribbon, and The
Man Who Shot Liberty Valance are particularly noteworthy favorites. And then there’s his masterpiece, The Searchers, which many film buffs
consider perhaps the greatest Western and one of the best films ever made.
There are certainly other directors who have made many great films; for me Billy Wilder particularly stands out in this regard. But Ford had an extra dimension, a thread, in his films that is hard to identify or describe, but it’s there. Once, as the story goes, Orson Welles, certainly no slouch himself as a filmmaker, was asked to name the directors he most admired, and he replied: "I like the old masters, by which I mean John Ford, John Ford, and John Ford."
R Balsamo
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